top of page

Four Moons Printing

Website:

SOCIAL BLUE.png

'@Four_Moons_Printing

SOCIAL BLUE3.png
Whitby Abbey

Whitby Abbey

Beltane Dancers

Beltane Dancers

Pink Rocker

Pink Rocker

Biography

Ol (Trading as Four Moons Printing) made a conscious decision to keep his work affordable and accessible to everyone. Selling is just one aspect of his practice; the true value lies in the enjoyment of creating, printing, selling, and engaging with the public.
Discovery is central to his process; whether it’s researching new subjects, learning new skills, or connecting with people, Ol is committed to making printmaking approachable, aiming to demystify the process for those who want to try it themselves. At many of his shows Ol has demonstrated his cutting process and tools, encouraging others to try and get creating.
Although lino prints can be reproduced infinitely, Ol intentionally limits each edition, focusing on mindful creation, ensuring each piece feels unique and special, adding extra value to the piece.

inspiration

Ol draws inspiration from alternative subjects, often exploring themes related to the occult, literature, music and folklore. While these realms remain a primary focus, Ol remains open to any subject that sparks his interest. Folklore, mythic symbolism, and the darker edges of storytelling are recurring sources of inspiration.
Recently, Ol has begun to explore Japanese woodblock aesthetics and traditional printmaking methods, looking at the prints of Hokusai for inspiration. Encounters with other artists and creators, especially during exhibitions and markets, also serve as important sources of inspiration and creative exchange, and in most cases serve as a push for him to continue his work.

medium

Ol specializes in lino print, exploring the interplay between designing, cutting, and printing images, embracing the imperfections in the process, allowing flaws to contribute to the uniqueness of each print.
Experimentation with print surfaces (including experimentation on different paper types, weights, tones, and textures) helps to tint the mood of each piece. Currently he has been moving from Hereford printing paper to Bunkoshi, Kitakata and Kozo papers, exploiting the natural colouring and rich textures to add a new layer to his work.
Ol blends traditional techniques of marking out and cutting lino (currently favouring Japanese vinyl) with contemporary and alternative subject matter, and vice versa. For example, using an iPad to work on his designs, merging digital experimentation with sustainable practices.

bottom of page