
Black Cat Silver
Website:
'@blackcatsilver
'@blackcsilver

Statement Pieces

Sketches in Silver

Jo at work
Biography
My practice is rooted in traditional silversmithing techniques, creating jewellery that is tactile, meaningful and made to last. I aim to produce unique pieces that hold emotion and connection, becoming part of the wearer’s story rather than something disposable or trend-led.
Inspired by nature — from woodland forms to ocean movement and the cycles of the earth and moon — my work translates observation into wearable pieces that feel grounding and timeless.
I value being part of a supportive local artisan community and am committed to helping traditional crafts remain visible, relevant and respected. Meeting customers in person and sharing the process behind handmade work is an important part of this.
Alongside my work as a mental health nurse, silversmithing provides balance, reflection and wellbeing. This sense of care and intention sits at the heart of everything I make.
inspiration
My inspiration comes primarily from nature and from moments of quiet observation within it. Walks through woodland, time by the sea, changes in weather, light, and season all inform my work. I often respond to small, easily overlooked details — a leaf, a wave, the texture of bark, or the rhythm of rain — translating these into silver using traditional techniques.
I’m drawn to creating pieces that reflect natural cycles and movement, rather than fixed or perfect forms. Many designs begin with sketches or found objects, while others emerge directly at the bench through making and experimentation.
Alongside this, my work is shaped by my role as a mental health nurse. Themes of connection, grounding and wellbeing naturally influence the pieces I create, with jewellery offering a quiet sense of comfort, meaning and reflection for the wearer.
medium
I work primarily in sterling silver, using 100% recycled material sourced from suppliers committed to sustainable practices. While the rising cost of silver presents challenges, it has also reinforced the value of the material itself — not just financially, but in terms of its longevity, beauty and ability to be reused, refined and repurposed rather than discarded.
Silver is a medium I deeply love for its softness, lustre and responsiveness to the maker’s hand. It carries marks, texture and story in a way that feels honest and timeless.
All of my work is made by hand in my studio using traditional silversmithing tools and techniques — from fine saw blades and hammers to formers and anvils. I work with a mix of old and new tools, drawing designs by hand with pencil rather than using digital software, and keeping the making process personal and rooted in craft.
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